University Dance Company Spring Concert Responds To Media Overload

The University Dance Company presents its Spring Concert, highlighting information overload and the many stimuli we experience as we move physically and virtually through the world – one weekend only, April 9-11.* Access is free. For information about this digital presentation and about the choreographers and cast, visit Spring Dance Concert.

Six KU Department of Theatre & Dance faculty members present original choreography in contemporary, ballet, and hip-hop style dance styles. The UDC Spring Concert will also pay tribute to Professor Patrick Suzeau, who closes a 31-year career at KU with his retirement in summer 2021. He presents “Be Still… And Feel,” a mixture of choreography and videography which explores isolation, from descent into darkness to ecstasy, and reflects the realities of the pandemic.

Professor Michelle Heffner Hayes’ choreographed work, “Currents,” is inspired by concepts from Traditional Chinese Medicine and her personal experience with the practice of Qi Gong. The title refers to the movement of water as well as electronic media current events. This screendance features scenography by Kelly Vogel, Resident Artist/Academic Associate, who is also credited for scenography on “Be Still… And Feel.”

Associate Professor James Moreno choreographed “Cubic,” which explores the relationship between humans and objects; more specifically the objectification of humans and the merging of people and the technologies they use. Scenic and costume design for this piece is by Rana Esfandiary, Assistant Professor of Scenography, and lighting design by Devan Ryan, BFA student in scenography from Lawrence.

Lecturer Ashley Brittingham will present her ballet, “Fragmented,” inspired by the complicated emotions during an unprecedented era. Dancers represent piano and orchestra competing against each other by using angry broken chords in combination with lamenting melodies–but there is brightness. “Fragmented” features costume design by Vogel and lighting design by Ryan, who are similarly credited on “When, where does it end?”

Visiting Assistant Professor Waeli Wang’s “When, where does it end?” is a contemporary/modern work diving into the information superhighways of cyberspace. This original piece highlights the need to be always informed and the desire to always have one’s eyes “glued to the screen.”

Lecturer Maya Tillman-Rayton presents an uptempo, three-section ensemble work titled “Messaging.” It is a commentary of current events, referencing the constant signaling of media figures and the effect it has on Americans by using 2000’s hip-hop culture. Rachel Bundstein, a senior strategic communications major from St. Louis, Mo., and Ryan, are featured as costume and lighting designer, respectively.

Also presented is “Rosas Remix,” an ensemble-based contemporary work choreographed by Anne Teresa De Keersmaeker, adapted by Waeli Wang through “The fABULEUS Rosas Remix Project.”

All UDC Spring Concert videography by Bryce Heesacker and Gary Lange.

The University of Kansas Dance Company’s Spring Concert is supported in part by KU Student Senate. The University Dance Company is a production wing of KU’s Department of Theatre & Dance.

The Department of Theatre & Dance is part of three departments within the School of the Arts. As part of the KU College of Liberal Arts & Sciences, the School of the Arts offers fresh possibilities for collaboration between the arts and humanities, sciences, social sciences, international and interdisciplinary studies.

*The University Dance Company Spring Concert will make its digital debut at 7:30 p.m. (cst) on April 9; the viewing link will end at 10 p.m. (cst) on April 11.