University Theatre, University Dance Company announce 2018-19 season

Wednesday, August 22, 2018
 
LAWRENCE — The public performances of the University Theatre and University Dance Company will look and feel slightly different this season as result of the recent merger of the University of Kansas departments of Theatre and Dance.  
 
The public can expect to see common themes throughout dance and theatrical productions in fall 2018 and spring 2019, offering an entertaining and enriching season selected and approved by the newly merged faculty. The University Theatre and University Dance Company aim to provide the community with a more immersive, cohesive and relevant cultural experience, said Katherine Pryor, director of theatre. 
 
From Greek tragedy to Shakespeare to popular new works, the University Theatre’s selections provide the community with an affordable way to enjoy thought-provoking stories, cutting-edge design, and amazing musical theatre in the heart of KU’s campus.
 
“The community will see a variety of relevant themes brought to the forefront and a range of diversity within each cast,” Pryor said. “We are confident our cast can rise to the dialect challenges presented in a couple of these plays. The design for these productions will exemplify the high standards of scenography and costuming that the department’s become known for.”  
 
The University Dance Company will embrace the concept of adaptation to generate new works for its fall dance concert. In the spring, guest and faculty choreographers will collaborate to present an evening devoted to the roots of skiffle music to tie into the University Theatre’s play “One Man, Two Guvnors.” This season’s guest choreographers are Mariana Oliveira and Belén Maya.
 
Diversity is a focus in the season's programming: The first production for the University Theatre is “A Man of No Importance.” In this musical, the main character faces adversity when his sexual orientation is “outed” in a close-knit community. Another fall 2018 highlight is the award-winning new play “The Curious Incident of the Dog in the Night-Time,” which follows 15-year-old Christopher, who is on the autism spectrum, through an investigation of a dog’s death. The University Theatre will hold auditions the week of Aug. 27 for an actor who self-identifies on the autism spectrum to play the part of Christopher. A new play called “Sycorax,” planned for spring 2019, will feature a black lesbian protagonist. Rounding out the season: the classic Greek play “Electra,” the farce “One Man, Two Guvnors” and the opera “A Midsummer Night’s Dream,” which will be produced in conjunction with the KU School of Music. All theatre and dance performances are open to the public and ticketed. 
 
Performance Dates Theatre Show
Sept 28-30, Oct 5-7 | Crafton-Preyer Theatre | “A Man of No Importance”
Oct 26-28, 30-31 | Inge Theatre | “Electra”
Nov 9-11, 15, 17, 18  | Crafton-Preyer Theatre | “The Curious Incident of the Dog in the Night-Time”
Nov 15-16  | Lied Center of Kansas | Fall Dance Concert
Feb. 15-16, 2019 | Sherbon Blackbox Theatre | “Romnia” Dance Performance
Feb 22-24, March 1-3, 2019 | Crafton-Preyer Theatre | “One Man, Two Guvnors”
Mar 29-31, April 2-4, 2019 | Inge Theatre | “Sycorax”
April 18-20, 2019 | Lawrence Arts Center | Spring Dance Concert
April 26, 28, May 2, 4, 2019 | Crafton-Preyer Theatre | “A Midsummer Night’s Dream.”
 
The University Theatre Season
“A Man of No Importance”
Book by Terrence McNally, music by Stephen Flaherty, lyrics by Lynn Ahrens 
Based on the film “A Man of No Importance”
Directed by Lusie Cuskey
Led by Alfie Byrne, the St. Imelda Players are a (fairly terrible) amateur group who struggle to produce Oscar Wilde’s “Salome” in the social hall of the Catholic parish church. They navigate societal expectations and secret crushes only to find that no one’s romantic life is simple, but that in the end “you just have to love who you love.” Set in 1964 Dublin, the musical celebration of theatre, identity and community is based on the Albert Finney film by the same name.
 
“Electra” by Sophocles 
Directed and adapted by Nathan Bowman
Electra has hoped for her mother’s death, and with the surprise homecoming of her brother Orestes, her hope becomes reality. Reunited, the siblings seek vengeance for the death of their father at the hands of their mother. The play follows Electra’s psychological deterioration as she is pulled and manipulated by both her mother and brother. This highly regarded Greek tragedy features one of the most well-developed female characters of the classical canon of theatre.
 
“The Curious Incident of the Dog in the Night-Time”
Based on the novel by Mark Haddon, adapted by Simon Stephens
Directed by Guest Director Harry Parker, Texas Christian University Department of Theatre chair
In this play based on the best-selling 2003 novel, Christopher, a 15-year-old English boy, discovers the neighbor's dog has been murdered and decides to investigate. Christopher is on the autism spectrum and carefully records each fact in a “murder mystery” book, which provides a look inside his intricate mind. What he discovers upturns his world and empowers him to pursue his dreams and face his fears. 
Harry Parker, a KU alumnus and chair of Texas Christian University’s Department of Theatre, will serve as the guest director, which is made possible by the Ronald A. Willis Visiting Scholar/Artist Fund.
 
“One Man, Two Guvnors” by Richard Bean 
Based on “The Servant of Two Masters” by Carlo Goldoni, with songs by Grant Olding
Directed by Jason Bohon
In 1963 England, a skiffle player named Francis is kicked out of his band and becomes separately employed by two men: a small-time gangster and an upper-class twit. In action-packed, hilarious and downright ridiculous scenes, Francis goes out of his way to serve two “guvnors” and keep his dual employment a secret. And, he’s not the only one hiding something in this 2012 Tony Award-winning farce, an adaptation of “Servant of Two Masters,” a 1743 commedia dell'arte play by Carlo Goldoni.
 
“Sycorax” by Susan Gayle Todd 
Directed by Jane Barnette
In a regional premiere, Susan Gayle Todd’s prequel to William Shakespeare’s "The Tempest" tells the poignant story of the mother of the “servant-monster” Caliban. This tragedy imagines the life of the witch Sycorax as an Algerian healer who rises to power only to be scapegoated by powerful men.
 
“A Midsummer Night’s Dream” by Benjamin Britten
Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears
Directed by John Stephens
“A Midsummer Night's Dream,” the opera, is adapted from William Shakespeare's play by the same name. The classic comedy consists of romantic tangles, brought on by interference from the fairy world, connected to the celebration of the royal wedding of Duke Theseus of Athens and the Amazonian queen, Hippolyta. Set in an enchanted woodland, it explores themes of love, betrayal and especially fantasy. Staged in cooperation with the School of Music featuring the KU Symphony Orchestra. 
 
 
Dance Season
University Dance Company Fall Concert 
Featuring guest choreographer Mariana Oliveira
To celebrate the inaugural year of the Department of Theatre & Dance, faculty and guest choreographers embrace the concept of adaptation used in theatre to create new choreographed works. Some of the works being adapted are Anne Rice's “Interview with the Vampire” and Michel Fokine’s “The Dying Swan,” originally adapted from the Tennyson poem of the same name. Using styles ranging from classical ballet to African diaspora to modern, the dance concert communicates themes of cultural and sexual identity and environmentalism. Originally from Brazil, guest artist Mariana Oliveira has set works for the Joffrey Ballet and the Kansas City Ballet, among others. Her residency is made possible by the John M. and Francis R.B. Peterson Guest Artist Fund.
 
“Romnia” 
Choreographed and performed by Belén Maya
A solo show, this experimental contemporary dance theatre work incorporates text, movement, percussive footwork, circus feats, street busking and more to a score of music by Roma women. Belén Maya, an innovator and critically acclaimed performing artist, became instantly recognized around the world in Carlos Saura’s 1995 film “Flamenco.” In “Romnia” (women in the Romani language), Maya performs “many women at the same time…whose laughter and mourning have become movement and beauty,” says Joaquín López Bustamante. Her work at KU is made possible by the Janet Hamburg Guest Artist Fund.
 
University Dance Company Spring Concert 
Choreographers collaborate on a concert devoted to the roots of skiffle music to tie into the University Theatre performance of “One Man, Two Guvnors,” by Richard Bean. Skiffle is a British music genre based on African-American popular music. UDC choreographers will honor the roots of skiffle in this concert. Classical ballet, jazz and contemporary dance will be performed. 
 
The University Theatre and the University Dance Company are the performance and production wings of the Department of Theatre & Dance and offer eight to 10 productions to the public during the academic year. Both the University Theatre and University Dance Company productions are funded in part by Student Senate fees.
 
The newly merged department is one of three departments in the School of the Arts. As part of the KU College of Liberal Arts & Sciences, the School of the Arts offers fresh possibilities for collaboration between the arts and the humanities, sciences, social sciences, international and interdisciplinary studies. 
 
For more information on the University Theatre, visit KUtheatre.com. Tickets to the University Theatre productions go on sale Sept. 4
 
For more information on the University Dance Company, please visit dance.ku.edu.

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